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publicopening synths cut out to just a rumbly bass line and the vocals. reminds me of the intro to 
踊り子. i love this combination a lot (rumbly bass line and vocals), want to use it sometime in a song
踊り子. i love this combination a lot (rumbly bass line and vocals), want to use it sometime in a song
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publicThe start of the guitar solo here quotes a motif from the song right before it on the album, 
Spring Spring (motif introduced around 0:20 in original song)
Spring Spring (motif introduced around 0:20 in original song)
I also really like the phrasing in this solo, it's very relaxed and spacey.
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publicListen to how the bass and drums cut out at the climax of the solo, it's incredible
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publicThe intro riff here is “recontextualized” when the drums come in - you count the riff one way before it comes in and differently after. Specifically you count the one on a different note.
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The solo on this song is entirely carried by the rhythm section - the guitar part itself is actually quite simple. Listen to how the everything cuts out in the middle of the solo to emphasize the climax.
It's also quite melodic! There's very little shredding.
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publicI love the #melody of this song
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publicInsanely sick bass solo, easily my favorite rendition of this jazz standard. Love how the bass plays the melody of the song.
