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finally: i respect the guitarist's choice to not use trap rhythms/voicings on the solo, but i think it would still sound cool, and i want to try doing so myself


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great guitar solo on this. in my head, the obvious solo would go for the same rhythmic patterns of the vocals. the guitarist doesn't do that here which is cool.

the solo also avoids going overboard with shredding, opening with some expressive bends before getting into some cool shredding.

the tone is also monstrously good, i get goosebumps when the solo starts



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great combination of trap and metal, building off the blueprint of tracks like album art for Fuck Around and Find Out (feat. $NOT)Fuck Around and Find Out (feat. $NOT).

the thumpy guitar riff is reminiscent of Tosin Abasi's style, album art for Physical EducationPhysical Education comes to mind as an example

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Incredibly cool call and response between drums and guitar here. Drum plays two hits, guitar plays a fill. The last fill is this low bend that gives the impression of a motor stalling, fitting the song's theme of car racing


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Incredibly heavy, fuzzed out guitar riff on this.


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The fuzz intensifies further here.

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song opens with a beastly bass solo. really like the bright bass tone, sounds like its picked quite aggressively near the bridge


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Incredibly punch, trebly, palm muted, picked #bass #tone here

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I like the bright scrangly humbucker rhythm guitar tone as well.


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I really love the #acoustic #guitar riff this song opens with.

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I love the #bass #tone on this song. So rumbly, so sharp.

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Another song I listened to a lot while biking over the #williamsburg-bridge

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Exceptionally crisp and bright #bass #tone

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killer #guitar #solo on this, nice #fuzz #tone

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God I love the #guitar #solo on this track. Want to #transcribe it

Super nasty overdriven #tone too