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publicThis trumpet section sounds so good. I love it when a trumpet line emphasizes the 5th, it feels so powerful and regal
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publicopening synths cut out to just a rumbly bass line and the vocals. reminds me of the intro to 
踊り子. i love this combination a lot (rumbly bass line and vocals), want to use it sometime in a song
踊り子. i love this combination a lot (rumbly bass line and vocals), want to use it sometime in a song
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publicfinally: i respect the guitarist's choice to not use trap rhythms on the solo, but i think it would still sound cool, and i want to try doing so myself
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publicgreat guitar solo on this. in my head, the obvious solo would go for the same rhythmic patterns of the vocals. the guitarist doesn't do that here which is cool.
the solo shreds but it doesn't go overboard with it, and starts more melodically with some big bends
the tone is also monstrously good, i get goosebumps when the solo starts
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publicgreat combination of trap and metal, building off the blueprint of tracks like 
Fuck Around and Find Out (feat. $NOT).
Fuck Around and Find Out (feat. $NOT).
the thumpy guitar riff is reminiscent of Tosin Abasi's style, 
Physical Education comes to mind as an example
Physical Education comes to mind as an example ...
publicIncredibly cool call and response between drums and guitar here. Drum plays two hits, guitar plays a fill. The last fill is this low bend that gives the impression of a motor stalling, fitting the song's theme of car racing
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publicThe fuzz intensifies further here.
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publicAnother song I listened to a lot while biking over the #williamsburg-bridge
