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publici love the subject matter of this song. it's about a guy who shuns everyone because he is completely obsessed with fishing
common pattern for primus songs seems to be inventing a character of some sort and then writing a song about them - see 
Jerry Was A Race Car Driver
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publicincredible bass fills on this song, love it when the bass plays in unison with the horns and guitar
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"the sun machine is coming down, we're going to have a party"
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publicbeautifully layered acoustic guitars here, with lots of guitar harmonics to top things off
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publicwhen i think of the blues, i don’t think of peace. i think of hunger and passion. it’s incredible that tomo is able to create such a peaceful feeling using the blues vocabulary
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publicbass so rumbly and deep you feel it in your soul
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publici love the bass tone on this, so rumbly
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publiclove the instrumental freakout here
between this and the other song off this album that sounds like a tool song (
Eternal Life), seems like jeff buckley takes a surprisingly large amount of inspiration from prog rock
Eternal Life), seems like jeff buckley takes a surprisingly large amount of inspiration from prog rock...
publici love the pad synths that kick in here, they sound so spacious
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they're even in the same key. both songs are also fast rock songs
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publicthis bass solo could easily just be a regular bass line. some of the best bass solos are like this. they're defined less by the bass playing differently and more by how the rest of the band takes a back seat
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(in all honesty, a little too complicated for its own good)
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publicthere's a secret followup song after a prolonged silence - the acoustic shredding intro here is what inspired me to really start to practice my open guitar licks
the acoustic guitar he's playing sounds deliciously tinny, my friend has a busted up classical guitar strung with rusted steel strings that sounds a lot like it
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publicvery obviously philip sayce's take on 
Voodoo Chile, but fantastic nonetheless. the way this song (and the entire album) is mixed brings out the character of his stratocaster very well, you get a lot of those classic strat bell tones, especially in the faster strumming sections towards the end
Voodoo Chile, but fantastic nonetheless. the way this song (and the entire album) is mixed brings out the character of his stratocaster very well, you get a lot of those classic strat bell tones, especially in the faster strumming sections towards the end
the lyrics are also fairly obviously inspired by voodoo chile - same supernatural psychedelic type beat
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publicthe bass is mixed so well in this
when it lines up with the kick drum it feels like a gut punch
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publici love the palm muted rhythm guitar tone on this song, gives it such a grungy feel
incredibly catchy
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publicbeautiful rhythm guitar fill here, using just harmonics
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publicthe bottom up guitar strum here hits so hard, with his voice hitting falsetto at the same time. reprise of something similar at 1:07.
it is a running motif through the song. sounds angelic
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publicfantastic bass line on this song. really groovy for a country song
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publicintro feels like its in 7/8 (but it's in 4/4) because the piano plays heavily on the last beat. feels really weird
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publicsome incredibly tasteful pinch harmonics at the start of this guitar solo, used as part of an actual melody. so rare to hear them outside of hair metal
jeff baxter is the goat
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publici love the sound of an octave played on the lowest keys of a piano, such a classic rock and roll sound
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publicshowed my dad the guitar solo on this and he said it sounded like the grateful dead. felt great to have my guitar playing compared to jerry garcia
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publici struggle to use minor/major pentatonic switching outside of a blues context. this song provides many examples of that over a progression that is not bluesy at all
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publicfantastic example of tomo fujita's tasteful guitar playing - patiently plays the melody twice, lets the organ solo first, starts with simple improvisation, full of delicate and melodic bends, building up to some genuinely impressive lines
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publicthe chord progression for this song is quite simple but provides a wonderful playground to solo over - a ii iii vi (which you can think of as a iv v i) progression in the verse with ample opportunities to play with the dominant to minor i transition, then a ii V I, then the same "walk the root minor down a whole step" trick that sounds like 
Just the Two of Us (feat. Bill Withers)
Just the Two of Us (feat. Bill Withers)
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publicwas on a hike the other day and this song spontaneously popped into my head. I suspect it's because tomo fujita wrote this song about his hometown kyoto, which is full of natural beauty
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publicjazz guitar solo on this is slow and simple, very transcribable
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publichearing both guitar players jump in with overlapping solos and the drums and bass and piano building up feels incredible. fantastic climax for the song
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publicdrums/bass cooldown for a new guitar player
incredible phrasing at the start of this guy's solo. really worth a close listen and transcribe
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unifying theme here is guitar riffs that are basically basslines played on a guitar, and a twangy guitar tone
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publicthis song makes me want to learn how to play the drums
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publicincredible bass and drums on this track, builds things to an incredible climax
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publicthis song is on the current company bathroom playlist
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publicsuper cool walking bass line here as the bass enters the mix
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publichello from localhost
