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publicI really like Nick Valensi's #guitar work on this song - the #solo after the chorus is great. I tried transcribing it, and it's actually quite difficult, requires some pretty fast alternate picking.

It's also played in #dorian-mode , sharping the 6th of the minor scale.
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publicBy convention, I'm used to guitar solos happening after the second chorus, where a bridge would usually be in a song. But it seems like a lot of indie rock songs tend to place them right after the first chorus. This song does that, 
I Bet You Look Good On The Dancefloor and 
The Modern Age do as well.
I Bet You Look Good On The Dancefloor and The Modern Age do as well.
Come to think of it, I can't think of a single Strokes song where the solo happens during the bridge.

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publicThere's this accompanying riff that he plays during the chorus that's fantastic where he arpeggiates the triads to chords of the chorus. It sounds so angular and distinct.

He definitely has a very distinctive soloing style, especially for a indie rock guitarist. He really likes playing intervals, triads and changes - it's a lot more sophisticated than your basic pentatonic indie rock soloing (which is mostly what I do). Contrast this to the solos in Arctic Monkeys songs (which I still really like!), which are almost all pentatonic, with basic bends - think I Bet You Look Good On The Dancefloor. Even fancier indie rock solos like the one in 
Slow Dance II (or 
Even Flow, if we want to expand to grunge) are mostly pentatonic, and draw mostly from the Hendrix/SRV style of playing. What Nick Valensi plays here sounds completely different, and that's cool.
I Bet You Look Good On The Dancefloor. Even fancier indie rock solos like the one in Slow Dance II (or Even Flow, if we want to expand to grunge) are mostly pentatonic, and draw mostly from the Hendrix/SRV style of playing. What Nick Valensi plays here sounds completely different, and that's cool.



