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publicSwitches vibe around the mark, #glitch #instrumental
Nothing says 2000s like Groove Armada.
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publicThe #synth and lyrics are good and groovy. It's very poolside, feels happy, warm.

[I can't pinpoint the ending sounds familiar, maybe Recoil(?)]
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publicdeep and grungy voices, like Gabriels' vibrate so low-- it performs in place of bass in the intro. And the guitar in the instrumental sections stand alternate.

I love this song, it's sad, sweet.

His voice softens when he starts talking about "her," and the "symphony," as he put it joins in. Voice in those sections remind me of 
Dead of Night
Dead of Night
There is not as much strain in the way Gabriel Bruce projects his voices compared to Henning May of AnnenMayKantereit. Similar voice spectrum and closer in range to: 
Du tust mir nie mehr weh, while in 
Tom's Diner I can hear how Mays' clarity is sacrificed for loudness and an even deeper sound.
Du tust mir nie mehr weh, while in Tom's Diner I can hear how Mays' clarity is sacrificed for loudness and an even deeper sound....
public

For semi-dark lyrics, the percussion is bright. I guess that's what makes a good track -- a balance of worlds
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publicever been in a car music on blast and the windows are shaking... this is the sound they make. KH is Four Tet
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publicI want the beginning twinkle piano score (before the bass) to live in my head rent free. Realized this will be closing sequence that plays when my lights go out; With a photo montage of places, faces, and aces of my life.
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publicThis song followed by MIA 
Bad Girls, it's the same ending-opening sequence-synth between the two just in different keys and speed.
Bad Girls, it's the same ending-opening sequence-synth between the two just in different keys and speed....
publicReminds me of my first introduction to Little Dragon - on my favorite self-titled album, SBTRKT 
Wildfire
Wildfire
The 'Little' Dragon energy is there, years later. It's the oscillation of clarity in vocal mixing.
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publicA song i would want to hear anew every time. The progressive layers and build up, gave me gooseflesh
...
publicThe shaker is my favorite part of this song.
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publicnever thought a remix could be this good. reminds me of a brighter version of 
..2 2 CENTIPEDES but Saya Gray is in their own league. maybe James K
Ultra Facial! minus the drums.
..2 2 CENTIPEDES but Saya Gray is in their own league. maybe James KUltra Facial! minus the drums.


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public3:38, Act III
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publicBeauty is in the details. 1:35, Act II
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publicHow fast can you run? on beat?

I feel fear. like it will never be enough. Dark, drowning in a shallow river feeding into an ocean.

No, it will never be enough, this is what it is to be human. unless you're a monk somewhere. doing monk things. and even then it's not enough, saving the world. not enough gold to save everyone if enough is locked in vaults in far off lands. Not sure where I am going with this...

I believe this is going to be my [2026] song. My creative song. The song I put on to create. because when do I stop? When is enough?
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publicI love this song from my brothers' new EP for the double entendre lyrics. so good!
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publicDnB remix of 
Duvet that I like. It's good. I also just like the original song, so maybe that's why. The sequence is well done.
Duvet that I like. It's good. I also just like the original song, so maybe that's why. The sequence is well done....
publicNever gets old. It's the drums. The right channel is deeper, darker. Left is brighter and higher. I love the lyrics too, simple and direct and in sync with the #synth
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public"Be the one to
stars above you."

I feel amazing when listening to this song! It's such a good vibe #resonant
...
public...
publicMy friends put me onto Halou; And can listen to this album for hours. Trip Hop means the world to me


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publicgood DNB Bb
a little muddy but raw, that's how i like the bass to sound over drums, especially when there are no lyrics

#silent 1:00
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publicThere is a divine presence in the way this moves through my mind. I am holding on to the many sounds that feel new, I've never heard. So I can remember here, now.

This feeling: embrace the crack of dawn-new birth, and the sudden flight of vultures from an unfinished carcass. Both need time, for the sun to rise and the flesh to decompose into renewal. The bass reaches deep but doesn't hold onto anything. It observes, imprints
...
publicIt feels happy, warm, with the lightest gust of a breeze--drifting in place. I get the same feeling from 
Oostend, Oostend
Oostend, Oostend
ï¼ Nicholas Chen, Have you played either song on guitar?
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publicforever, rare. chaotic good. i feel happy when Vynehall plays
and have always, got a jazzy essence from this track

this whole album is so good; on my birthday vinyl wishlist
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publicOh the drums and harp fusing with the Koto is so smooth

I love this song and Dorothy, twice as much!
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publicgorgeous arrangement and harmonic ensemble
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publicthe intro gives me gooseflesh

guitar after 2:42 is not a bad idea


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public

drain gang walked so 2hollis can run.

the 2hollis lore-universe seems storyboarded for complexity and mass consumption; a scavenger hunt... I'm saying inorganic in too many words
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publicshivers. between heart and mind there's no winning: xin

the song fades but doesn't give the impression that it ever ends
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publicthe lyrics, beautiful.

the spread of the quiet percussion, maybe drums?, sounds like distant footsteps, a shallow heart beat
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publicdissonant , makes my skin crawl. Reminds me most of a commercialized fusion of 
Missing Piece and 
Ride
Missing Piece and Ride
... the spoken word at the end is vile and detracting
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publicrent free in my mind. synth ecstasy.

first show I saw live. life changing.
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publicscratches the itch every single time

first song I'd learn on guitar if I ever pick it up
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publicbass is deep and punchy till it hits and I like how the snare is isolated
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publicHalou's squeezed bright vocals over grungy itch tunes is the equivalent of Tricky's Maxinquaye 
Ponderosa
Ponderosa...
public
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publicThe #rhythm is freeing but not satiating. The ending is #dissonant in a 6ft under kind of way

I'm hungry like a #wolf
but that doesn't make me one.
